Wednesday, July 31, 2013
Sunday, July 28, 2013
Monday, July 22, 2013
What Learning Cursive Does for Your Brain
Yet scientists are discovering that learning cursive is an important tool for cognitive development, particularly in training the brain to learn “functional specialization,” that is capacity for optimal efficiency. In the case of learning cursive writing, the brain develops functional specialization that integrates both sensation, movement control, and thinking. Brain imaging studies reveal that multiple areas of brain become co-activated during learning of cursive writing of pseudo-letters, as opposed to typing or just visual practice.
Cursive Benefits Go Beyond Writing
Putting pen to paper stimulates the brain like nothing else, even in this age of e-mails, texts and tweets. In fact, learning to write in cursive is shown to improve brain development in the areas of thinking, language and working memory. Cursive handwriting stimulates brain synapses and synchronicity between the left and right hemispheres, something absent from printing and typing.Links
The College Board found that students who wrote in cursive for the essay portion of the SAT scored slightly higher than those who printed.
Lessons in Calligraphy and Penmanship
A Penmanship Forum
4 benefits of writing by hand
More Penmanship Links
"The historic house was built in 1789 and was home to 5 generations of hoarding Van Rensselaers. The collection if items collected by the family over time include over 3,000 photographs, 7,000 textiles, 20,000 objects, 30,000 manuscript among other things. It is a naturally accumulated time capsule of the family and the time periods in which they lived. In 1963, the last remaining member of the family died and the house became a museum." (source)Historic Cherry Hill House Museum Website
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Saturday, July 20, 2013
Swedish lutenist Jonas Nordberg performs the Prélude and Allemande from the Suite in a minor for theorbo by Robert de Visée. de Visée was a prominent composer and luteplayer working at the court of Louis XIV in France. His solo repertoire for theorbo and baroque guitar has survived as some of the greatest pieces for the instruments.